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 The New People
 A monthly publication of the Thomas Merton Center
Table of Contents -- September 2002


Index of Monthly Issues

Agitprop murals by labor’s premier artist
By Shirley D. Harris
Insurgent Images: The Agitprop Murals of Mike Alewitz. By Paul Buhle and Mike Alewitz. Monthly Review Press, 149pp, color, oversized. $27.95 (paper)
     

     The American labor movement has not had many artists that it could call its own—and nearly all of them cartoonists by trade. The agitational specialists of the old Wobblies (Industrial Workers of the World) back in the 1910s, Fred Wright of the UE News during the 1950s-70s, the widely syndicated Mike Konopacki and Gary Huck in recent decades, all come to mind. Among fine artists, the late Ralph Fasanella’s giant canvases seemed to stretch miles across a room, filled with details about blue-collar life.
     Then comes Mike Alewitz, whose labor murals can be found from Fall River, Massachusetts to Los Angeles, Chicago to Mexico City and even the Ukraine, where clean-up after the Chernobyl nuclear disaster demanded an army of dangerous work. His murals offer a moving display of labor’s historic heroes and heroines: Mother Jones, John L. Lewis, Cesar Chavez, Karen Silkwood, Martin Luther King, Jr., and many forgotten figures like Peter J. McGuire, founder of the carpenters’ union, or Joe Hill, the Wobbly balladeer.
     Alewitz’s murals, actually done by teams of union men and women under his direction, are inspirational. But they are also, very frequently, funny and thought-provoking. Union-haters look like a variety of unpleasant animals and monsters, sometimes caterpillars with teeth, sometimes faceless liquor bottles or needles, sometimes bloated cows or pigs. Formal education without real learning becomes an empty march through a diploma mill - as so many students realize to their sorrow. The story of a community (this one happens to be Lodi, New Jersey: a library wall) has the whole story - from Indians to working people and their families to a terrible chemical accident years ago, and a determined community recovery.
     The colors fairly sparkle in this book and the figures seem to come to life. Actor Martin Sheen says it best, in the Foreword: "The murals tell the story of those who feed and clothe us," the men and women who "rarely appear in art or media, except as caricatures or buffoons." The example that Alewitz provides other artists, to look around seriously at ordinary folks, to take some responsibility to make the world a better place, is no small thing.
     Out just in time for Labor Day, Insurgent Images should make a great gift for a youngster or a labor old-timer. But in another way, it’s the muralist’s gift to every union member. Former printer, railroad clerk, sign- and billboard-painter who now teaches at Central Connecticut State University, Alewitz is one of a kind, and his book offers a priceless look into a labor artist’s own soul.
     This book is on sale at the Thomas Merton Center. Its publisher, Monthly Review Press, is donating 40% of all sales from the Merton Center consignment to Pittsburgh peace and justice struggles - to be divided by the Thomas Merton Center and the Pittsburgh Social Forum.
     These books make wonderful holiday gifts.